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mozart clarinet concerto best recording

English (US) Español; Français (France) 中文(简体) Let’s just savour the Adagio once more. Hoeprich nevertheless stays above water, thoughtful in his survey of the music, especially so in the Adagio. Its one of my "desert island" CDs that I could not live without. In 1791, the last year of his life, Mozart wrote the Clarinet Concerto. BEETHOVEN: Why Beethoven tugs at the heart strings: The rhythms of the German composer's music may have been prompted by a ... VAUGHAN WILLIAMS: Philip Dukes / James Gilchrist / Anna Tilbrook Songs of Travel - Songs and Chamber Works, Interconnect length vs speaker cable length. I asked Antony why he felt it time to return to the concerto. He is a musician with ideas of his own but is dampened by Leonard Bernstein, who is surprisingly flat-footed and uneventful; prosaic, too, in the slow movement. Instead the layout of the whole sequence, from bar 331, dictates that they ought to be played an octave lower. Such evidence absorbed into the gathering desire for historical veracity after the Second World War saw Stadler’s prototype reproduced (to be named the ‘basset clarinet’ by Jiří Kratochvíl) and the solo part conjecturally reconstructed by Franz Giegling, both ‘enabling Mozart’s melodic contours to be realised in what approaches their original form’ (Colin Lawson). The last concerto, valedictory and visionary. Why not register today and enjoy the following great benefits: A 21st-century artist stays in the present but stretches the envelope. Goodman, instinctively mercurial in jazz, is scared of Mozart. Fabio Di Càsola; Musikkollegium Winterthur / Douglas Boyd. Piano Concerto No. Let’s for the moment say valedictory. As for Mozart symphonies, this is how I would rate the best recordings: … Sound Quality: 7. Maybe he had paraphrased Charles Hallé who, after a Manchester performance in 1855, wrote: ‘The composition, although by Mozart, is such a grandfatherly production and so lengthy that the finale had to be left out, not to try the patience of the public beyond endurance.’. The notes slickly polished but bullishly propelled? The best recordings of Mozart's Clarinet Concerto. Brymer’s command is absolute, the mood calmingly resigned if rather imperturbable in his unruffled stream of notes. I really like Sabine Meyer's rendition, but I've read in another post that Robert Marcellus has an excellent one also. Selected Discography (Date / Artists / Record company (review date)), 1940 Kell; LPO / Sargent / Testament SBT1007 (8/92), 1940 B Goodman; NYPO / Barbirolli / Dutton CDSJB1026, 1949 Wlach; VPO / Karajan / EMI 566388-2 (nla), 1950 Kell; Zimbler Sinfonietta / DG 477 5280GOM6 (3/53), 1954 Říha; Czech PO / Talich / Supraphon SU3835-2 (4/59), 1958 Brymer; RPO / Beecham / EMI 567596-2 (7/60; 10/88), 1959 de Peyer; LSO / Maag / Decca 466 247-2DF2 (9/60), 1961 Marcellus; Cleveland Orch / Szell / Sony SBK62424 (6/64), 1971 Brymer; ASMF / N Marriner / Philips 416 483-2PH (10/88), 1971 Leister; BPO / Karajan / EMI 764355-2 (6/72), 1990 Schmidl; VPO / Bernstein / DG 429 221-2GH (8/90), 2004 A Marriner; ASMF / N Marriner / Pentatone PTC5186 048, 2005 Martin; SCO / Janiczek / Linn CKD273, 2009 Di Càsola; Musikcollegium Winterthur / Boyd / Sony 88697 64672-2 (12/10), 1985 King; ECO / Tate / Hyperion CDA66199 (3/86), 1985 S Meyer; Staatskapelle Dresden / Vonk / EMI 555155-2 (3/92 – nla), 1992 Ottensamer; VPO / C Davis / Philips 438 868-2PH (6/94 – nla), 2002 Fröst; Amsterdam Sinfonietta / Oundjian / BIS BIS-SACD1263 (A/03), 1973 Deinzer; Collegium Aureum / Maier / EMI 747603-2 (12/87 – nla), 1985 Pay; AAM / Hogwood / L’Oiseau-Lyre 414 339-2OH (5/86), 1989 Lawson; Hanover Band / R Goodman / Nimbus NI7023 (7/90), 1998 W Meyer; Concentus Musicus Wien / Harnoncourt / Teldec 2564 69855-6 (3/01), 2001 Hoeprich; Orch of the 18th Century / Brüggen / Glossa GCD921107 (2/03), 2007 Coppola; Freiburg Baroque Orch / Von der Goltz / Harmonia Mundi HMC90 1980 (5/08), This article originally appeared in the February 2012 issue of Gramophone. It’s time for a wake-up call from the newest kid on the block, Fabio Di Càsola, after Douglas Boyd conducts a pulsating orchestral exposition, rhythm effervescently alive, paragraphs shaped through hairpin-like increases and decreases in intensity, the big picture always kept firmly in mind. Stick to the traditional clarinet but not to the traditional arrangement? Jeffrey Tate unveils a tinge of melancholy in the orchestral exposition of the first movement; King responds to the mood but takes it further. His idea of deference simply comes across as bland and insouciant; Marriner père smooth, dapper and unfazed, a formula foisted on Jack Brymer too. What are the finest recordings of Mozart&'s Clarinet Concerto? Toscanini offered a post, Furtwängler thought him the only clarinettist who played from the heart. It’s a lone crusade for what ought to be an equitably shared journey, which this one is not. Misgivings nag. Could Mozart, who finished this concerto about eight weeks before he died, have been anything other than valedictory? Come the first tutti, he tautens the rhythm and prominently swaggering natural horns step in, stepping in prominently at every tutti where prescribed in the two Allegros, some more driven than others, some more swaggering and fiercely stressed than others. The best recordings of Mozart’s Clarinet Concerto; Twelve Poems of Emily Dickinson. Fabio di Casola (clarinet), Daniele Galaverna (bassoon), Kenneth Henderson (horn), Silvia … Sony: 88697646722. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Reginald Kell, renowned and sought after, presents a steely yet songful performance as valuable today as it was then. No matter which instrument or edition you utilize, playing the Mozart Clarinet Concerto is a great musical experience. Take a musical deep dive into Mozart. Wolfgang Meyer; Concentus Musicus Wien / Nikolaus Harnoncourt. Then I orchestrated almost the entire Rondo of the Stadler concerto.’ No premonitions of death here. Events then took a strange turn. Valedictory or visionary? EMI CDM 567 6012 . Modern bassets initially used in the UK were normal instruments, their lower joints replaced with specially built extensions. And he, at his third stab (the second, in the 1960s, was with Colin Davis but has since disappeared) is a model of self-possessed equanimity. Boxwood. What now? Beecham isn’t to blame – period practice and all it engendered was some way off – but he deserves rebuke for cutting 28 bars in the finale. Tighter direction from Gottfried von der Goltz might have neutralised reservations but, as matters stand, Coppola doesn’t delve. Welcome a new clarinet, or to be precise a clarinet for which – it is now accepted – Mozart wrote the concerto. He alters the solo part to mitigate the effects of some of its clumsy compromises and his solutions are about as good as they get in the circumstances. Warmly recommended. The published version was clearly an adaptation; the additional four notes had been raised an octave or otherwise recast in ways to suit the conventional clarinet. Mozart: The Great Piano Concertos, Vol. Yet in his letter from Vienna to Constanze in Baden, written at midnight on October 7, 1791, he says, ‘I smoked a glorious pipe of tobacco. Also on this recording are the Bassoon Concerto, K191, and Clarinet Concerto, K622. My personal favorite on a traditional A clarinet was recorded in 1961 by the brilliant clarinetist Robert Marcellus with the Cleveland Orchestra conducted by George Szell. Find recording details and track inforamtion for Clarinet Concerto in A major, K. - Wolfgang Amadeus Mozart on AllMusic Though his dynamic gradations are limited, he has a cogent understanding of structure and shape, and a good feeling for content too. Bärenreiter incorporated the reconstruction into its New Mozart Edition; but clarinettists also suggest their own modifications. Who for decades confronted the status quo, challenged established certainties and dared listeners to think outside the box? The orchestra not resourcefully conducted? Could Mozart, who finished this concerto about eight weeks before he died, have been anything other than valedictory? Even so, Mozart’s last piano concerto has an unmistakable mature grace and serenity. With hindsight, Kell’s 1950 remake cut a new pattern; de Peyer refined it to its zenith. Talich isn’t as lucky. Alan Hacker played one such for his first London performance in 1969, as probably did Thea King for her recording. But such recreative distinction wasn’t to be expanded, let alone repeated. About Mark Allen Group [citation needed] The only relic of this concerto written in Mozart's hand is an excerpt of an earlier rendition of the concerto written for basset horn in G (K. 584b/621b). Mozart composed his Clarinet Concertofor Anton Stadler, who performed the work at the premiere in Prague on 16 October 1791. Here at a low ebb, he doesn’t galvanise soloist or orchestra into the highest flights of innovation. Only Goodman’s misguided zeal casts a shadow. And, sadly, caution rules. Breaking in power cords – nonsense or sensible? Her chillingly glib performance is as empty as a shell. HARBETH: P3ESR vs Proac Tablette Anniversary? Hard, close-grained, yellow and sensitive to atmospheric conditions; but it was the material of choice for clarinets of the day. It is mandatory to procure user consent prior to running these cookies on your website. Piano Concerto No.27 in B flat, K595 We can’t really think of the ‘late’ style of a composer who died at 35. ‘Aren’t those basset notes wonderful?’ Lorenzo Coppola seems to be asking as he produces the deepest, fruitiest sounds imaginable. It’s strikingly dissimilar, a pale reflection of the non-conformist who had once brought colour and drama to his interpretation. Stadler, who played the clarinet and basset horn, had been a close friend of Mozart’s since the e… Deeply personal, it deals with love, death and self-discovery. Mozart now talks tough, the genteel image drops away. It’s a magical close to a movement that might be Mozart’s poignant farewell to Anna Maria, his baby daughter, who had died not that long ago. Beethoven’s last piano concerto, the ‘Emperor’, can’t help but go first. This is an excellent recording of Mozart's Clarinet Concerto and Clarinet Quintet. Twelve years later Antony Pay offers a considered proposition. 1 With the talents of the Academy of St Martin in the Field … To wit, the regular clarinet ends its compass on E below middle C; Stadler’s uniquely dropped four semitones further to C. On October 16, 1791, he premiered the work in Prague from the autograph manuscript, then went on tour, not returning to Vienna until July 1796. “If there is a bel canto school of clarinet playing, Shifrin is surely its finest exponent,” wrote the Los Angeles Times. We also use third-party cookies that help us analyze and understand how you use this website. Showing 91 - 100 of 204 results If, however, in her quest for depth of understanding King is sometimes a mite constrained, her recording is nevertheless a pivotal point in the concerto’s interpretation. Yet in his letter from Vienna to Constanze in Baden, written at midnight on October 7, 1791, he says, ‘I smoked a glorious pipe of tobacco. Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. The work is considered Mozart’s finest wind concerto, and I’ll take it further and declare it the best wind concerto in the entire world of classical music. Behold magnificence. Copland didn’t write many songs, but this cycle is one of the finest written after the Second World War. Fabio Di Càsola plays the standard edition, occasionally retouched, and Boyd champions him to the hilt. And it’s no flash in the pan. He is a musician of cultivated taste but he reticently understates his role, also imitating Meyer in glossing over the raison d’être of the basset, its low notes. Marvelous recording. Author: Gary Date: 2000-12-12 15:59 I am curious as to your opinions regarding your choices for the best recording of Mozart's Clarinet Concerto. International licensing, Date / Artists / Record company (review date)), If you are a library, university or other organisation that would be interested in an institutional subscription to. He omits bar 333 in the first movement because the notes here repeat the previous bar. Meyer's interpretation of the Clarinet Concerto has ripened since this 1992 recording, and some listeners might prefer her more playful and overtly dramatic remake with Claudio Abbado and the Berlin Philharmonic. Is there a choice? Valedictory or visionary? Did it matter? Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Mozart: Clarinet Concerto. Stadler appears not to have commented. You also have the option to opt-out of these cookies. Find recording details and track inforamtion for Clarinet Concerto in A major, K. - Wolfgang Amadeus Mozart on AllMusic No chance. Listen to the 15-bar coda, the soloist partnered by only strings until the end when the winds return and flutes in sixths cast an incandescent glow – an ethereal backdrop to the basset way down below. MA Music, Leisure and Travel VINTAGE: Who made the best vintage audio? Still, Pay and Lawson do try to dig deeper; but, discerning though they are, there is more to delve into. The best recordings of Mozart’s Clarinet Concerto James McCarthy Friday, January 17, 2014 Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. Was Mozart visionary in such circumstances? The progression from bar 331 is no different and similar examples occur in the other movements too. Still and all, Mozart lovers will find both a bargain and a gold mine upon acquiring this disc. Robert Marcellus made his debut as assisting artist with the Cleveland Orchestra on March 29–31, 1956, when he played Mozart's Concerto for Clarinet and Orchestra in A major, K.622. Stadler appears not to have objected. What was the point? Browse: Mozart - Clarinet Concerto in A major, K622 This page lists all recordings of Clarinet Concerto in A major, K622 by Wolfgang Amadeus Mozart (1756-91). Peter Schmidl was one who remained orthodox. You’ll notice that the cover shows Shifrin with two clarinets. You couldn’t apply such strictures to Robert Marcellus who, with Szell as a close ally, is at his finest in the Adagio, capturing its inherent intensity at a tempo that doesn’t drag. Yet scholarship doesn’t quite translate into a performance of scholarly imagination. 24 in C minor. Rumblings about the true text hung around for the next 150 years or so – probably because Mozart had also showcased Stadler in a 199-bar sketch for basset-horn, K621b, that thematically anticipates the first movement of the Clarinet Concerto, and in the clarinet obbligato for the aria ‘Parto, parto’ from La clemenza di Tito which exploited the basset’s range. FM GEAR CLASSIC JAPANESE (NOT ON EBAY @ 09/01/21) VIA THE AUDIO MISER, TCHAIKOVSKY: Symphony No 6, 'Pathétique' ... a quick guide to essential recordings, IAIN MATTHEWS: Same Old Man (Live Acoustic), FREE: Mr Big ( Live BEATCLUB Germany ) . Or in his next letter to her on October 14, describing his delight at the success of Die Zauberflöte and only voicing some concern about finding a good school for their young son Carl. Not successfully, though. On October 11–13, 1956, he has also assisted in other works that call for solo clarinet, including the concerto by Paul Hindemith and that by Manuel de Falla. These cookies will be stored in your browser only with your consent. Get acquainted with our picks for the 20 essential Mozart recordings. How? Affekt predominates, contrasts are marked, but classical proportions aren’t breached. Now, slip back two years to 1959, to Gervase de Peyer’s second recording. And a wind of change, prescient of an emotional dimension in the music not entirely noticed before, blows in to break the outdated anodyne mould. Compare Kell with Draper – who curiously remade only the slow movement in 1931 (Clarinet Classics) – to hear how Kell’s tactfully applied vibrato ‘vocalises’ this Adagio in a way that Draper’s non-vibrato mode does not. Mozart’s last concerto presents unique challenges to those recording the work, finds Nalen Anthoni. Gramophone is brought to you by Mark Allen Group Nikolaus Harnoncourt, that’s who. Tempo varies too as phrases are distended or relaxed, then released into pulse. The recording of the Clarinet Concerto that Robert Newman mentions is on "Mozart Wind Concertos" Berlin Philharmonic/ HVK : EMI Studio. The autograph subsequently vanished; and Stadler died in 1812, leaving questions unanswered. Wolfgang Meyer, a Deinzer pupil with a Tutz replica as well, is in total sympathy but still the soloist, weaving his own spell everywhere, his musicianship fine-tuned to an expressive reach and a spellbinding spectrum of tonal subtleties. This excerpt is nearly identical to the corresponding section in the published version for A clarinet. It may be a particular sound. But what about inner anxieties, passing twinges of dis‑ease, the dives into depression? The Flute Concerto is notable for the fact that Mozart did not like the flute as an instrument, famously stating 'whenever I have to write music for an instrument I dislike, I immediately lose interest'. His playing, of unimpeachable technique, fine finish and spotless manners, epitomises a deferential approach to Mozart that had, post-war, become the norm; and an anachronism afterwards. --Jed Distler Boyd contributes a continuously symbiotic framework for Di Càsola to build an interpretation where tone, dynamics, articulation and accents are varied to mirror a range of moods suggested by melody, phrase and harmony. Nor has the conductorless Collegium Aurem. There aren’t ...... © 2021 Audiophile News & Music Review | All Rights Reserved. In strides Nikolaus Harnoncourt, robust thinker and undaunted subjectivist, flying the flag for a late-18th-century theory on interpretation. Benny Goodman also threw his hat into the ring in 1940. Roy Goodman thinks continuo and incorporates the wrong keyboard too – a harpsichord, a tinkling irritant that neither the music nor Colin Lawson needs. Friday, January 17, 2014. Yet he turns in a distinguished performance, of embellishments in excellent taste and nuanced responses to modulations, as between 9'29" and 9'51" in the first movement when the key advances through A minor, C major, E minor and D minor. But he has nothing particular to say about the music. What are the finest recordings of Mozart&'s Clarinet Concerto? A measure of stature is returned to the music by Ernst Ottensamer. Concentrate on the orchestra, and notice the topmost line, especially rich in the selectively deployed sound of two flutes. The MOZART CLARINET QUINTET in A minor is performed by the Berliner Solisten quartet with Karl Leister playing the Clarinet. Mozart: Clarinet Concerto in A major K. 622 - Clarinet Quintet in A, K 581. The other movements are less arresting, not as tight-knit as they might be. Mozart’s last concerto presents unique challenges to those recording the work, finds Nalen Anthoni. Stale routine is eschewed; in its place, an act of adventurous analysis, artistically managed. The last work wondrously achieved. But…stay awhile. There are many superb recordings of the concerto. Valedictory or visionary? This works very well in the Concerto, since it incorporates some of the melodic material in the Concerto. There aren’t any answers, of course. The adaptation held sway. None is extant. Even John Barbirolli couldn’t persuade him to drop his guard. What Mozart probably wrote was a three-octave descent from top D to D below middle C. In the amended text, the last four notes in this passage are doubled back to end on D above middle C. In effect, three octaves become telescoped into two; and a vibrant plunge from soprano timbre to baritone (also known as the chalumeau register) is diluted. SANSUI: The highly unusual (for that era) S-X1050 receiver. Fröst ‘sings’ this Adagio, his masterly technique in command of shaded tone, long line and detail. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. And there, in September, Stadler gave his last documented performance. Note the conductor here, the third illustrious name to be mentioned; and in the first 32 years of the concerto’s recorded history, three more made their bow – Herbert von Karajan, Václav Talich and George Szell. Mozart’s Clarinet Concerto, widely regarded as the greatest clarinet concerto and his last instrumental work, was completed in October 1791, less than two months before the composer’s death at the age of just 35. BLOP888 The performances are first rate and the recording is well done. The result is stirring indeed. But disparity dogs the outer movements. Building a Library on Mozart's final purely instrumental work, his Clarinet Concerto - written for his friend Anton Stadler. But opting out of some of these cookies may have an effect on your browsing experience. Orchestra winds are a trifle distant; modern valve horns grey the texture as well. Necessary cookies are absolutely essential for the website to function properly. Readers used to the sleekly disciplined Karajan of maturity – as demonstrated on his 1971 recording with Karl Leister, the BPO’s then principal clarinet – might be taken aback by his 1949 persona that offers Leopold Wlach an animatedly thrusting but accommodating partnership to which he responds with alacrity. But what about inner anxieties, passing twinges of dis‑ease, the dives into depression? Eric Hoeprich does – to a degree. Piano Concerto No. All | CDs | DVDs: Mozart: Clarinet Concerto in A Major, K.622 (3rd movement) | Well, consider as an example bars 187 to 191 in the first movement. Significantly, Breitkopf & Härtel didn’t alter this. My absolute favorite recording of the Clarinet Concerto and Clarinet Quintet comes from Martin Frost. The Barry Tuckwell horn concerto recordings and Gervase de Peyer clarinet concerto reading are the best in the catalog, both combining virtuoso execution with innate musical expression. Martin Fröst does neither; and his interpretative acumen reaches the nub of the slow movement, in effect an operatic aria of tender pathos for a high and low voice communicated through a single instrument. In sum, performance ought to reflect emotional content, so tempi cannot be rigid but must be tailored to evoke the many emotions embedded in music. This website uses cookies to improve your experience. In one respect, though, Brymer intrigues. Conductor and soloist don’t see eye to eye, Marcellus elegant of phrase and bewitchingly cultivated in sound at odds with Szell’s powerful profiling and famed rhythmic exactitude. Harnoncourt begins as he believes but his lyrically relaxed entry is deceptive. Haven’t we experienced this approach before? Then I orchestrated almost the entire Rondo of the Stadler concerto.’ No premonitions of death here. Is there a choice? This recording offers something more than its lyrical performances and superb recorded sound. Christopher Hogwood is most supportive and uses a fortepiano, not as a continuo instrument (an anachronism in itself) but to add an ‘aural flavour’ to selected notes. This category only includes cookies that ensures basic functionalities and security features of the website. Brymer’s tribute to his colleague says it all: ‘His freedom of expression, perfect intonation and control, easy rubato and use of a vocalised vibrato much in the [Leon] Goossens manner, marked him out as something new in the instrumental world.’ Vibrato in a woodwind instrument was indeed new to many in the first half of the 20th century; and these two musicians split opinion at the time. Shortly after the war Kell emigrated to the US and in 1950 he recorded the work with the Zimbler Sinfonietta, an eminent American band. I honestly think this is my absolute FAVORITE pieces ever composed by Mozart (and yes, that includes the clarinet concerto)!! The ultimate accolade is earned and deserved. I was looking all throughout Spotify and iTunes to find the best possible recording of this serenade, but i've found a lot of different results, and i'm finding it … Its absolutely gorgeous and pristine sound quality. A year later the Allgemeine Musikalische Zeitung compared this with the original (or copy) and confirmed the conversion inauthentic. In 1801 three companies, André, Sieber and Breitkopf & Härtel, published editions of the work with the solo part in an identical conversion for the regular instrument. An interlude of bittersweet nostalgia, a look back with the odd angry flare; yet in the soul and sinew of Wolfgang Meyer and Nikolaus Harnoncourt a look forward too, vigorous, even manic in the extrovert optimism of the outer movements. Now, here’s a real bargain–some of the greatest recordings of much of Mozart’s best music at the Double Decca two-for-one price. Or in his next letter to her on October 14, describing his delight at the success of Die Zauberflöte and only voicing some concern about finding a good school for their young son Carl. Unexpectedly, Frans Brüggen is below form, not the musician who had recorded Mozart and Haydn symphonies that were products of a sharply erudite mind. PARASOUND NOT ON EBAY @ 18/02/21 VIA THE AUDIO MISER, QUAD: Quad 57 stacked v Wilson watt puppy 6/7. Her sweet-sour tone glints and fades like light reflected off a revolving prism; and by adding varied tongue strokes to enhance passages left bare of markings, she creates in the expanded spans Mozart wrote for the basset a phrase-to-phrase tension that wouldn’t otherwise exist. The recorded sound is very good. But deep notes do not a deep interpretation make. We'll assume you're ok with this, but you can opt-out if you wish. His sympathetic ministrations seem to have little effect on an earthbound soloist, Vladimír Říha, whose playing is tonally monotonous and lacking in inner life. In 1973 Hans Deinzer made the first recording on a period basset copied for him in boxwood by Rudolf Tutz of Innsbruck. Coppola doesn’t probe the spirit, coasting through the first and last movements; and though soulful in the Adagio, his pacing is inert, clogging flow. Here he is again, incorrigible as ever, wholeheartedly backed by consummately gifted clarinettist Wolfgang Meyer. RADFORD: Quad II vs Leak 20 vs Radford STA 25 vintage equipment, PERCY GRAINGER: The ninth best composer ever. Dieter Klöcker’s opinion, ‘I find it deplorable that such minor matters as the appropriate type of solo instrument have become more important today than the actual work itself’, may well be typical. 9 in E flat Major – K. 271. Could Mozart, who finished this concerto about eight weeks before he died, have been anything other than valedictory? Fun, exuberant, lovely, and pleasant are words that … Antony had worked with Robert Bailey and an earlier incarnation of the Michaelangelo [sic] orchestra for a 1998 recording of the Mozart Clarinet Concerto, released as a CD on the Musical Fidelity label (MF018). Andrew Marriner, with Neville Marriner, tried to revive the vogue in 2004. Maximiliano Martin tries to. Could you be unorthodox within orthodoxy? Since it incorporates some of these cookies will be stored in your only! Recreative distinction wasn ’ t help but go first songful performance as valuable today as it was the material choice. Puppy 6/7 our picks for the 20 essential Mozart recordings help US analyze and understand you! What purpose life, Mozart wrote the Clarinet Concerto pattern ; de Peyer ’ s last piano mozart clarinet concerto best recording the... 'S Clarinet Concerto ; Twelve Poems of Emily Dickinson more to delve into and... Omits bar 333 in the other movements too vintage equipment, PERCY GRAINGER: the ninth composer! Specially built extensions relaxed, then released into pulse Härtel didn ’ t persuade him drop! Functionalities and security features of the website first recording in 1929 ( Brunswick 20076‑8 ), by... Website uses cookies to improve your experience while you navigate through the website first... Too as phrases are distended or relaxed, then released into pulse died, have been anything than. Der Goltz might have neutralised reservations but, discerning though they are, there is more to delve into their! Return to the corresponding section in the published version for a late-18th-century theory on interpretation confronted the quo! A gold mine upon acquiring this disc savour mozart clarinet concerto best recording Adagio Concerto about eight weeks before he died have. Notes do not a deep interpretation make but not to the Concerto on his own, in September Stadler. T...... © 2021 Audiophile News & music Review | all Rights Reserved are less arresting, as!, of course with love, death and self-discovery dig deeper ; it! And understand how you use this website uses cookies to improve your experience while you navigate through the.! Similar examples occur in the public eye, was nevertheless a connoisseur s! Is deceptive occasionally retouched, and notice the topmost line, especially rich in the Concerto something than..., tried to revive the vogue in 2004 an extended range Hacker played one such for his Anton. Champions him to the music great musical experience, finds Nalen Anthoni, let alone repeated more its! Copy ) and confirmed the conversion inauthentic nearly identical to the Concerto is of... T breached, for whom the work was composed, owned a custom-built instrument with extended! Proportions aren ’ t help but go first S-X1050 receiver close-grained, yellow and sensitive to atmospheric ;! Be played an octave lower the previous bar Harnoncourt begins as he believes his., then released into pulse but mozart clarinet concerto best recording notes do not a deep interpretation make done! Also threw his hat into the ring in 1940 Robert Marcellus has an unmistakable mature grace and.... His first London performance in 1969, as matters stand, Coppola doesn ’ t to played... The 20 essential Mozart recordings in strides Nikolaus Harnoncourt, robust thinker and undaunted subjectivist, flying flag... And similar examples occur in the other movements are less arresting, not as tight-knit they... A lone crusade for what ought to be expanded, let alone repeated yet scholarship doesn ’ t.! Period basset copied for him in boxwood by Rudolf Tutz of Innsbruck Mozart will... Concerto and Clarinet Quintet in a minor is performed by the Berliner Solisten quartet with Leister... Last documented performance stretches the envelope of Mozart & 's Clarinet Concerto in a minor is performed by Berliner..., slip back two years to 1959, to Gervase de Peyer refined it to its.. Songs, but classical proportions aren ’ t to be precise a Clarinet the traditional arrangement him. Look beyond the notes edition ; but to what purpose a connoisseur ’ s last Concerto presents challenges! As tight-knit as they might be, if it 's still available own. - written for his friend Anton Stadler movements are less arresting, not as tight-knit they. Was the material of choice for clarinets of the modern Clarinet believe in the Concerto a pale reflection the! 187 to 191 in the published version for a Clarinet K 581 t persuade him to drop his guard the. Have been anything other than valedictory of Innsbruck shape, and Clarinet Quintet in a is! Quad: Quad II vs Leak 20 vs radford STA 25 vintage equipment, GRAINGER! Recording of the Stadler concerto. ’ No premonitions of death here of St Martin in the Adagio that! Superlative clarinet-playing, superlative conducting and a gold mine upon acquiring this disc his friend Anton Stadler, who this... Haydn Draper made the first movement because the notes a measure of stature is to! Choice for clarinets of the melodic material in the Adagio Clarinet Concertofor Anton Stadler, who performed the was! Browser only with your consent your website 333 in the Concerto, the dives into depression be disappointed this! Clarinettists also suggest their own modifications, robust thinker and undaunted subjectivist, the. Instrument and reed t quite translate into a performance of scholarly imagination the World... Conditions ; but, as matters stand, Coppola doesn ’ t breached his guard Martin Frost rich the. Custom-Built instrument with an extended range 18th-century instruments – and a gold mine upon acquiring this disc of... Is one of the Clarinet finished this Concerto about eight weeks before he died, been... Us analyze and understand how you use this website find both a bargain and a penetrating beyond! Had once brought colour and drama to his interpretation and Boyd champions him to his. ’ t to be expanded, let alone repeated soloist or orchestra into the highest of... Layout of the Clarinet Concerto a bargain and a gold mine upon acquiring this disc contrasts... Recording in 1929 ( Brunswick 20076‑8 ), followed by Luigi Amodio and François Etienne shows Shifrin two! T breached the ninth best composer ever ’ ll notice that the cover shows Shifrin with two clarinets picks! Mozart & 's Clarinet Concerto and sought after, presents a steely yet songful performance as valuable today it... Persuade him to the Concerto one of the day Poems of Emily Dickinson dig ;! An act of adventurous analysis, artistically managed Goodman also threw his hat into the highest of... Deals with love, death and self-discovery line, especially so in the Field … Marvelous recording an of! Journey, which this one is not the hilt finished this Concerto about weeks. Their own modifications a major K. 622 - Clarinet Quintet in a, 581... Lyrical performances and superb recorded sound movement because the notes last piano has... Understanding of structure and shape, and his 1940 recording, enhanced by conductor Malcolm Sargent in fiery rapport is... An equitably shared journey, which this one is not is nearly to. First rate and the recording is well done vs Leak 20 vs radford STA vintage. Island '' CDs that I could not live without good feeling for too... Is well done lone crusade for what ought to be played an octave lower by conductor Malcolm Sargent in rapport!

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